High Mayhem's Upcoming Shows, Mar 11 and Mar 16

High Mayhem Newsletter newsletter at lists.highmayhem.org
Tue Mar 5 09:40:18 PST 2013




*Song Sparrow Research, iNK oN pAPER, Luke Carr*

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*March 11, 2013  at 7pm*

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*Santa Fe Sol, 37 Fire Place, Santa Fe NM*

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*$10 at the door*
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https://www.facebook.com/events/132854080220716/
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Song Sparrow Research
Hamilton Boyce – lead vocals, guitar
David Balatero – cello, electric bass, vocals
Kendall Becker – upright bass, vocals
Ryan Batie – glockenspiel, vocals, keys, percussion
Evan Woodle – drums

http://songsparrowresearch.com/

Hear them at: http://songsparrowresearch.bandcamp.com/

[image: santa-fe-2013-WEB]

*And, in case you missed the double CD release show....*
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*iNK oN pAPER*

iNK oN pAPER continues their mission of dragging rhythm through the mud in
the 5 song, 42 minute CD/download, *Official Demo*. Exploring new ideas and
recording techniques, iNK oN pAPER has taken their unique approach to a
bass and drum duo to a new level of orchestration and dynamics.  For those
who still like artistic audio relics, 100 handmade, numbered CDs have been
made out of blown and stamped ink on paper.


www.inkonpaper.bandcamp.com

www.iopmusic.com

http://highmayhem.org/artists/music/ink-on-paper/



*Luke Carr*

Luke Carr is releasing *Pigrow*, his debut solo album. *Pigrow* is an
eighteen minute mini-epic, exposing for the first time the
multi-instrumentalist on guitar, bass, drums and voice.  Carr’s previous
project, Pitch & Bark, gained attention from John Dieterich, guitarist of
the band Deerhoof, who co-produced, engineered, mixed and mastered Pigrow
along with Carr.  Dieterich also plays guitar and synthesizer on two of the
album’s tracks.



Mostly an acoustic effort, *Pigrow* takes the listener through a series of
arcs, beginning with minimal guitar and voice sections which expand into
full rock motifs, all the while accurately reflecting Carr’s one-man-band
live show, in which he loops live instruments to create his own full rock
sound.



www.lukecarr.bandcamp.com




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*We Drew Lightning CD release with Author & Punisher*


*March 16, 2013  at 8pm*

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*High Mayhem Emerging Arts studio, 2811 Siler Lane, Santa Fe NM*

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*$10 suggested donation at the door (single-day membership)*

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https://www.facebook.com/events/108176829370437/

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*We Drew Lightning*

GLITCH is the second full length release by We Drew Lightning.  Founding
members, Roland Ostheim (vocals, guitars, electronics) and Michael Smith
(drums, electronics, saw, vocals) present 12 new tracks in their diverse
catalog of songs.  The new album continues on expanding the bands sound
further in dynamics and sonic experiences. The bones of the album were
recorded at High Mayhem Studios in the fall of 2011 and early 2012, and
finished in the bands own studio and rehearsal space, Ruthless Sweetheart
Studio in winter 2012.


We Drew Lightning is also very excited to announce a new addition to the
band, Aaron Jenks (keyboards), who recorded on 4 of the tracks on GLITCH,
and adds a whole new dimension to the We Drew Lightning live sound!  Other
musicians also appearing on the album are Carlos Santistevan, Lily Taylor,
and Joan Yatsevitch.


The album is available on CD’s, download cards, and online (bandcamp, cd
baby, itunes).


http://www.wedrewlightning.com/


[image: 4PAN1T]


*Author & Punisher*

Author & Punisher is an industrial doom and drone metal, one man band
utilizingprimarily custom fabricated machines/controllers and speakers.  He
has performed and shown these machines in festivals and exhibitions in the
United States and abroad extensively, releasing his third album, yet first
sculpture/art based album entitled “Drone Machines” in 2010 on Heart &
Crossbone Recordsout of Tel-Aviv.  His new record, focused primarily on the
newer Dub Machines, entitled “Ursus Americanus”, was released April 24th,
2012 onSeventh Rule Recordings and was listed as one of Decibel Magazine’s
top 40 metal albums of 2012. His new LP “Women & Children” will be released
in April of 2013. Drone/Dub Machines are custom made machines fabricated
from raw materials and utilizing open source circuitry. The devices draw
heavily on aspects of industrial automation, robotics and mechanical tools
and devices, focusing on the eroticism of interaction with machine.  The
machines require significant force from the performer,aligning he or she
with the plodding drone and doom influenced sounds that are created.
Alongside fabricating machines and composing sound for performance,


Tristan works at the National Center for Microscopy and Imaging Research (
http://ncmir.ucsd.edu) as a mechanical engineer and the Center for Research
and Computing in the Arts (http://crca.ucsd.edu) at the University of
California, San Diego as a researcher in sound interface design.

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http://www.tristanshone.com/bio-resume-contact/

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[image: IncubateFestNetherlands]



http://www.highmayhem.org

http://www.facebook.com/highmayhem

https://soundcloud.com/highmayhem
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